Last edited by Goltimuro
Friday, February 7, 2020 | History

6 edition of Performing Race and Torture on the Early Modern Stage found in the catalog.

Performing Race and Torture on the Early Modern Stage

  • 26 Want to read
  • 4 Currently reading

Published by Routledge .
Written in English


Edition Notes

Routledge Studies in Renaissance Literature and Culture

The Physical Object
Number of Pages192
ID Numbers
Open LibraryOL7497773M
ISBN 100415957214
ISBN 109780415957212

Due to limited availability, we strongly advise to secure these rooms when registering as they cannot be booked retrospectively. Action as agency: How might an embodied approach to Shakespeare promote wellbeing? Or must the play exist as a museum piece of a bygone history and culture, and of bygone cultural constructions? Kim F.

Indeed, many teachers are already hungry for this kind of professional development. At Reed, Gronke teaches courses on political behavior, political institutions, and social science research methods. He has published a book, The Electorate, The Campaign, and the Vote Michigan University Press,as well as articles in many prestigious journals and edited volumes. Would you please consider becoming a Crossroads Associate? McKay received a Ph. What really works?

On mentoring and people of color, see Harrison. Thus, there is a chicken-and-egg problem: There are very few dissertation directors, committee members, and mentors of color in medieval and early modern studies, so graduate students of color opt to do research in later periods where they see more representation among the faculty and their peers, and these graduate students of color receive greater opportunities for mentorship and collaboration in these later fields, therefore pre- and early modern studies continue to remain oh so white. The conference will explore new ways of putting Shakespeare into action looking at the intersections between Shakespearean texts and performances, disciplinary innovation, and the multiple ways in which these interact with history, politics and culture. Henderson Diana E. Abstracts words and a short biography to be submitted by 15 January to bsa surrey.


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Performing Race and Torture on the Early Modern Stage book

How is inequality a civil rights issue? By Ayanna Thompson. In the digital realm it has been circulated for a variety of purposes and by an increasingly disparate range of agents.

Read this penetrating study to find out - it's an intellectual delight. Rebecca Steffy is a poet, scholar, and community builder with a broad range of experience in non-profit administration. Take a deep breath. This major international conference invites academics, practitioners, and educators from across the world to consider how we might utilise new interdisciplinary approaches to develop innovative ways of performing, writing about, and teaching Shakespeare.

Input from Associates has been very helpful to the Committee, and the planning meeting is lively, interesting and enjoyable. Rose, President of Marylhurst University and former Chancellor of the Oregon University System, unpacks the nuances of the American presidency, and reveals why we have yet to experience a female chief executive.

This diachronic frame of reference is intended to establish continuity between contemporary and early modern constructions of race; like the scenes of torture performed on the Restoration stage, the Abu Ghraib images manipulate bodies in order to suggest a particular interpretation of race.

She was the President of the Shakespeare Association of America. Via an interdisciplinary focus, this seminar aims to explore Shakespeare on Asian screens in a variety of registers — cinematic adaptation, manga cartoon, citation or fragment and filmed performance.

White producers produce the works. With a few notable exceptions, early modern scholars have not consistently wed gender and race studies as effectively as those working on later periods.

How do "social determinants" of health enter this picture? But I also resist it with my entire being. Imbricated within Thompson's link between early modern and contemporary conceptions of race is her refutation of the view that "race simply was not a factor on the Restoration stage" But racial stereotypes of the 17th century create some discomfort among 21st century audiences.

Following the recent cognitive turn in Shakespeare studies, scholars have started to focus on how the plays represent cognitive and neurological decision-making processes.

Many of the voices of our region have already fallen silent, but he will highlight steps underway to combat the crisis on the local level. Guillory, John.Dec 27,  · [Various contributors; implications of race in casting and modern performance of early theater.] Thompson, Ayanna.

ASU English adds 8 core faculty to help shape ‘humane communities’

Performing Race and Torture on the Early Modern Stage (London: Routledge, ). [Medieval contexts discussed throughout.] Thompson, Lloyd A.

BlacKKKShakespearean: A Call to Action for Medieval and Early Modern Studies

Romans and Blacks (Norman: University of Oklahoma Press, ).Cited by: 6. From the beginning of her academic career, Thompson has been a trailblazer, especially in her scholarship on early modern race studies. Her first book, “Performing Race and Torture on the Early Modern Stage” (), was a historicist examination of explicit, staged depictions of torture; Theatre Journal said the volume “cover(ed) valuable.

Ayanna Thompson is the author of Teaching Shakespeare with Purpose ( avg rating, 9 ratings, 2 reviews, published ), Colorblind Shakespeare ( 4/5. Theatre for a New Audience has established a Council of Scholars to expand the scope and depth of the Theatre’s humanities programs.

Council of Scholars

A primary goal of the Council will be to provide perspectives that illuminate contextual themes and heighten intellectual conversation around. Cloudy skies early, then thunderstorms developing late. and Contemporary America, and Performing Race and Torture on the Early Modern Stage-- editor of Order The Eagle's latest book on the.

Sep 13,  · Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially Cited by: